Gospel Music

JGM Pick of the Week: November 30, 2015

“God’s Got Me” Dexter Walker & Zion Movement https://www.cdbaby.com/cd/dexterwalkerandzionmovem From the Chicago choir that won the 2012 Verizon How Sweet the Sound search for the Best Church Choir in America, “God’s Got Me” is a confident declaration of soul comfort sung from within the everlasting arms of the Lord. It’s an embrace that feels so inviting to lead vocalist Minister Tim White that he revs up to testifying by the conclusion. This Percy Bady-produced single, from Dexter Walker & Zion Movement’s forthcoming full project release, is less frenetic than we are used to hearing from ZM and Min. Tim White, ...

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Caleb Collins – Caleb Collins Christmas

Caleb Collins Caleb Collins Christmas Caleb Collins Music (2015) www.calebcollins.com By Bob Marovich Singer-songwriter Caleb Collins of the Brooklyn Tabernacle Choir hits a long ball home run with Caleb Collins Christmas. Evoking modern day crooners Michael Buble’ and Harry Connick Jr., Collins sails with verve through lushly orchestrated versions of sacred and secular chestnuts, such as “Let It Snow,” “Joy to the World,” and particularly dramatic arrangements of “O Come O Come Emmanuel” and “What Child is This.” “God Rest Ye Merry Gentlemen” gets a Latin workover with a James Bond-ish open. “Silent Night” has a bluesy feel. Rachel Williams-Baggett ...

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Joe Douglass & Spirit of Praise – The Great I Am

Joe Douglass & Spirit of Praise The Great I Am JDI Records NOTE: Joe Douglass & Spirit of Praise’s self-released 2014 CD Redemption has been picked up by JDI Records and reissued as The Great I Am (same songs, somewhat different track order), JGM has reprinted/revised its review of the CD, published originally on August 23, 2014. By Bob Marovich Joe Douglass & Spirit of Praise pulls out all the stops on The Great I Am. Douglass, a twenty-five-year-old Californian, organized Spirit of Praise a few years ago. The group released a single, “It Belongs to You,” in April 2012 and ...

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Travis Greene – The Hill

Travis Greene The Hill RCA Inspiration (release date: October 30, 2015) www.travisgreene.tv By Bob Marovich At age four, Travis Greene fell out of an apartment window in Germany and was pronounced dead. His praying mother believed otherwise. She picked up her limp toddler, called repetitively on Jesus, and little Travis opened his eyes. Greene relates this and other inspirational true stories on the title track of his major label debut album, The Hill, recorded live with a battalion of musicians and singers at Mosaic Church in Charlotte, North Carolina. With such a remarkable backstory, it’s not surprising that Greene’s performance ...

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Chicago Gospel History with Radio Great Milt Rosenberg

Journal of Gospel Music Editor-in-Chief Bob Marovich (pictured, left), discussed his book, A City Called Heaven: Chicago and the Birth of Gospel Music (University of Illinois Press), with radio legend Milt Rosenberg (center) on The Milt Rosenberg Show.  The program aired live Friday, November 6, 2015, on WCGO 1590 AM, Chicago. Iconic gospel choir conductor, arranger, and Mahalia Jackson accompanist Dr. Charles Clency (right) joined us for a lively and informative discussion of gospel music as it was birthed from, and prospered in, Chicago.  Musical highlights included selections from many of Chicago’s golden greats! So grateful for the opportunity to be a guest of Milt Rosenberg, ...

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Deitrick Haddon – Masterpiece

Deitrick Haddon Masterpiece eOne/DH Visions/Releve’ Entertainment (release date: November 6, 2015) www.eonemusic.com By Bob Marovich We are blank canvasses that God, the ultimate artist, fashions into beautiful works of art, declares Deitrick Haddon on the title track of his new album, Masterpiece, released yesterday. But it’s the blank canvas or, more accurately, the damaged canvas, not the finished painting, which captures Haddon’s interest. Observing from the rarefied air of a man “who ain’t got nothing to prove or lose,” he warns humanity to clean its canvas by getting right with itself and with God. Why? Because this is his story, too, ...

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Derrick “Doc” Pearson – No Greater Love (CD/DVD)

Derrick “Doc” Pearson No Greater Love IAM Music (2015) By Bob Marovich No Greater Love, a CD/DVD retrospective of the IAM Music Company of Clinton, Maryland, is a celebration of the company’s ten years of existence and a greatest hits package for IAM Music’s co-founder, Derrick “Doc” Pearson, who participates in one way or another on all of the Scripture-based music selections. A versatile bass player, singer, songwriter, and producer, Pearson (“Doc” stands for Disciple of Christ), cut his musical teeth on 1970s and 1980s soft soul and funk while working with the likes of the O’Jays and Whispers. The songs ...

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Bridgett Kern – No One Greater

Bridgett Kern No One Greater Dream Label Group (release date: August 7, 2015) www.bridgettkern.com By Bob Marovich Although not advertised explicitly as such, Bridgett Kern’s new Praise & Worship project, No One Greater, is a live recording. That’s a good thing, as P&W comes off best live. After all, the style was created to enliven the live worship experience. I would argue that almost all gospel music sounds better live, but that’s a discussion for another time. Back to No One Greater. The first portion of Kern’s CD features the energetic and effusive P&W singing and hard-hitting musicianship heard in ...

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Deitrick Haddon: “We Are All God’s Masterpieces”

Last week, Deitrick Haddon spoke with Bob Marovich of the Journal of Gospel Music about his new album, Masterpiece, which Entertainment One will release this Friday, November 6. JGM: Masterpiece, the album, is being described as sort of a musical maturation on your part. Is that a fair assumption? DH: Absolutely. It definitely reflects where I am in my life right now. That’s how I create records: I’m inspired by my life. What I have experienced in my life tends to show up in my music. JGM: On Preachers of LA and in performance, you come across as very real, ...

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Howard Ziwa – Dawn

Howard Ziwa Dawn – Volume 1 www.ziwamusic.com By Bob Marovich Howard Ziwa’s Dawn—I’m tempted to call it an EP because it has eight tracks and weighs in at under thirty minutes—has its high points and low points. Let’s start with the high points. The EP’s finest selections, “Alele” and “Let It Be,” are fueled by the brisk polyrhythms, vertical praise lyrics, and instrumental sensibilities of the gospel music from Ziwa’s native Africa (he was born in Kampala, Uganda). Those familiar with African gospel music know that it is often ignited by insistent drums and an ostinato riff on keyboard or ...

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