Traditional Gospel

Carolyn Traylor – The Best of My Story

Carolyn Traylor The Best of My Story Traylor Made Music Group (release date: March 31, 2017) By Bob Marovich Working in the traditional-or-die mode of such artists as Dottie Peoples, Beverly Crawford, and Lemmie Battles, Carolyn Traylor of Greenville, Texas, flexes her vocal muscles on her latest album, the thoroughly enjoyable The Best of My Story. Recorded live at Shreveport’s Peaceful Rest Baptist Church, the album finds Traylor, called the “Texas Powerhouse” in Derrell Hobdy’s introduction, varying from sweet to squall on eleven selections of mostly churchy fare. I say mostly, because “Victory” and “He Did It All” have a ...

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Judy Jacques – The Sixties Sessions

Judy Jacques The Sixties Sessions Playback (2016) www.playbackrecords.net By Bob Marovich In the early 1960s, while teens were swooning over the Beatles and the Rolling Stones, Judy Jacques, an Australian youth, was soaking up whatever American gospel records she could get her hands on. At the same time, Australia’s Yarra Yarra New Orleans Jazz Band was introducing Melbourne audiences to traditional American Dixieland style jazz. Combined, Jacques and the Yarras gave Australians a bracing and remarkably authentic taste of black gospel and spirituals. In the process, Jacques became Australia’s Queen of Gospel and Trad Jazz. A comprehensive survey of Jacques’s 1960’s ...

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JGM Pick of the Week: February 27, 2017

“It Could Have Been Me” Dorothy Norwood feat. Dorinda Clark-Cole From the Echo Park JDI album An Incredible Journey Available on iTunes, Amazon.com The old-school hand-clapper “It Could Have Been Me” brings together Dorothy Norwood and Dorinda Clark-Cole, two female vocalists representing two different generations but equally powerful when it comes to singing the glory down. The two are “grateful to God to still be “in the land of the living,” because at any point, they declare, it could have gone very differently. And as the hook expresses, “other people have been through what I’ve been through and they didn’t make ...

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JGM Pick of the Week: February 14, 2017

“Testify” James Douglas feat. LeJuene Thompson From the forthcoming project Still I Praise https://www.cdbaby.com/cd/jamesdouglas42 It could be intimidating for some artists to have a fiery singer like LeJuene Thompson on their single, but James Douglas proves an equally effective vocalist on “Testify.” “Testify” is as it sounds: despite having his name scandalized, despite going through the fire and the flood, and even despite the prospect of “throwing in the towel,” which in context sounds like a contemplation of suicide, Douglas declares that every time, God “made a way somehow.” Moaning her way into the song’s vamp, Thompson gives her testimony ...

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Edna Gallmon Cooke – My Joy: Rare Recordings 1948-1966

Edna Gallmon Cooke My Joy: Rare Recordings 1948-1966 Gospel Friend (release date: February 27, 2017) www.gospelfriend.com By Bob Marovich Edna Gallmon Cooke may be one of the most underappreciated female vocalists of gospel’s Golden Age. Although her voice was small when compared to belters like Mahalia Jackson, Emily Bram-Bibby, and Ernestine Washington, what Cooke lacked in volume she made up for in finesse. She stirred church congregations by starting her performance soft and slow and building to a fiery crescendo. She knew when to shout, when to drop into a bluesy disposition, when to evangelize, and how to work with ...

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JGM Pick of the Week: January 30, 2017

“I Got Out” Bryan Popin Little Boy Wonder Music (release date: January 15, 2017) www.bryanpopin.com Dubbed “Little Boy Wonder” by Stevie Wonder, gospel artist Bryan Popin infuses”I Got Out” with a Pentecostal-flavored explosion of gratitude to God for helping him escape his personal trials.  Popin assures that God will help you out of your “going through,” also. The single is reminiscent of the traditional-meets-contemporary blend of “Alright” and “Thank You Jesus” from Popin’s 2013 album, You Can Make It. From an old-school congregational singalong opening to its evangelist-on-fire vamp, “I Got Out” rocks so hard, it burns to a crisp, ...

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Beverly Crawford – The Essential Beverly Crawford

Beverly Crawford The Essential Beverly Crawford JDI Records (release date: October 23, 2015) Available at Amazon.com By Bob Marovich The Essential Beverly Crawford is a best-of pulled from her two volume Live from Los Angeles series, released in 2008 and 2010, respectively, with a new song, “Deliverance,” tacked on top. Like Pastor Shirley Caesar, Crawford knows how to work a congregation, interspersing conversational spoken word in the midst of songs or evangelizing before and during her performances. You hear the singer swoop, squall, whoop, scream, and shout with preacher’s breath. She preaches and teaches. She does the holy dance. But she also offers ...

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JGM Pick of the Week: January 16, 2017

“All God’s Children Ain’t Free” Level One Sound presents the Jones Family Singers www.jonesfamilysingers.com It seemed appropriate, on this remembrance day for the Reverend Dr. Martin Luther King Jr., that JGM should spotlight the Jones Family Singers’ newly-released cover of Johnny Cash’s “All God’s Children Ain’t Free.” Bishop Fred Jones Sr. channels Cash’s folksy rumination while daughter Alexis Jones-Giles accentuates the most important lines of the lyric with the vocal force of a human trumpet. The echo-y harmonies and jangly tambourine, when combined with the steady and minimal country beat, evoke Cash’s original from his 1965 Orange Blossom Special (Columbia Records). Recorded at Level One ...

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“When Will It End?” – Dave Bass & the D.B.G.s

“When Will It End?” Dave Bass & the D.B.G.s DNB Associates, Inc. (2013) www.cdbaby.com/cd/davebass2 DC-area gospel soloist Dave Bass recorded “When Will It End?” in 2013 after the death of Trayvon Martin. Since the song’s message, “the way you look can change your fate,” rings just as true four years later, he’s putting it back front and center to call more attention to the need for justice and truth. Bass’s stinging line about Martin, “only seventeen, went for a snack / a brief encounter, never came back,” subconsciously evokes “The Ballad of Emmett Till,” a 1956 recording by Scatman Crothers’ ...

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“Satan, We’re Gonna Tear Your Kingdom Down” – Shirley Caesar

“Satan, We’re Gonna Tear Your Kingdom Down” Shirley Caesar From the Greenleaf Gospel Companion Soundtrack, Vol. 1 www.malaco.com Never mind Shirley Caesar the holiday meme sensation. The mighty traditional gospel singer gets down to what she has done effectively for more than sixty years on “Satan, We’re Gonna Tear Your Kingdom Down.” To the intimidating thrum-thrum of marching warrior feet and penetrating harmonies from the choir, Pastor Shirley declares holy war on the Prince of Darkness. This old church song has never lost its ability to rattle the church rafters. The single comes from the Gospel Companion Soundtrack, Volume 1, ...

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