Traditional Gospel

JGM Pick of the Week: May 23, 2016

“Mother Emanuel” Shirley Caesar From the forthcoming Entertainment One Music CD Fill This House Available from digital retail outlets Gospel songs with explicit social messages are a rarity these days, making Shirley Caesar’s sobering memorial to the shooting at “Mother” Emanuel AME Church in Charleston, South Carolina, stand out all the more. The mournful piano introduction gives way to Pastor Shirley’s head-shaking solo on the contrast of such a hateful act of racism happening in a sanctuary of love and acceptance. She reminds us that the name of the church, Emanuel, means “God is with us.” Shirley doesn’t as much ...

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For Chicago’s Cynthia Eubanks, It’s All About the Ministry

By Bob Marovich With its infectious aisle-walking vigor, “Nobody Like the Lord” couldn’t be more Chicago if the CD cover had a photo of the Picasso on it. It’s the debut single by Cynthia Eubanks, a Chicago artist who has wanted to sing gospel music ever since she was a young girl, participating in regular family singalongs. “My Uncle Eugene and Aunt Wilma would start off singing doo wop songs from the 1950s and 1960s,” Eubanks told the Journal of Gospel Music, “then they would sing gospel songs and it would turn into a mini gospel concert. Being one of ...

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Pastor David Wright & the N.Y. Fellowship Mass Choir – Clap Your Hands

Pastor David Wright & N.Y. Fellowship Mass Choir (Next Generation) Clap Your Hands Godfather Records (release date: April 19, 2016) www.godfathergospel.com By Bob Marovich When Pastor David Wright speaks of his father on the second of the two-CD N.Y. Fellowship Mass Choir recordings done in June 2013, he is referring to the late Reverend Timothy Wright, Godfather of Gospel Music, renowned for his dynamic ensembles and choirs. Brimming with new songs written in the traditional style, Clap Your Hands demonstrates that the Wright family tradition is alive and well. The album is bookended by two up-tempo church wreckers. The title track ...

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Conversations with the Gospel Legends – The Barrett Sisters

Check out the first episode of “Conversations with the Gospel Legends,” a new program on Rev. Harold Bailey’s PCC Broadcast Network. Our guests for the debut show are the world-renowned Barrett Sisters: Rodessa Barrett Porter and Billie Barrett Greenbey. JGM’s Bob Marovich is the host. The next program will feature Vernon Oliver Price and Loretta Oliver. Bob Marovich – Conversations With The Gospel Legends : The Barrett Sisters from PCC Studio on Vimeo.

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Various Artists – Halo: The One-Derful! Collection

Various Artists Halo: The One-Derful! Collection Secret Stash Records (release date of CD: April 15, 2016; LP available since February 2016) www.secretstashrecords.com By Bob Marovich During the 1950s and 1960s, Chicago record men and brothers George and Ernie Leaner helped transform South Michigan Avenue’s famed “Motor Row” (of auto dealerships) into Record Row. In addition to helping Ernie with their record distribution company on Boul Mich, George Leaner organized One-Derful! Records and several subsidiaries, including one exclusively designated for a gospel music series: Halo. With meticulous detail and in concert with the Leaner Family, Minnesota’s Secret Stash Records has been releasing samples ...

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The Volunteer State Mass Choir – The Gospel of Tennessee

Jeff Wilford Presents The Volunteer State Mass Choir The Gospel of Tennessee www.VolunteerStateMass.com By Bob Marovich Ten years after their establishment by gospel music industry and retail professional Jeff Wilford, the Volunteer State Mass Choir makes its debut on CD with The Gospel of Tennessee. Waiting to gel in tone and texture before releasing a full-length recording has paid off for the Volunteer State Mass Choir. The Gospel of Tennessee showcases a group that has its swagger together, whether on P&W pieces such as “Fresh Oil” or on aisle stompers such as “I Forgot Just Who I Am,” featuring feisty ...

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Robert Horton with The Voices of Many Waters: “People All Over the World Need Jesus”

“People All Over the World Need Jesus” Robert Horton with The Voices of Many Waters Gold Leaf Records https://www.reverbnation.com/roberthorton5 This lo-fi funky gospel single was written in 1979 and recorded in 1982 but not released until last year. At first blush, “People All Over the World Need Jesus” sounds like it came from 1970s recording sensations the Beautiful Zion Missionary Baptist Church Choir, but it is actually the product of an Albemarle, North Carolina-based family group, The Voices of Many Waters, with lead singing by tenor Robert Joe Horton. It is a simple song: the chorus consists of the title ...

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Treva – I Am Praise

Treva I Am Praise (EP) chezmusique (2014) www.TrevaJones.com By Bob Marovich Treva Jones did it the right way. The Houston, Texas, vocalist released a five-track EP that showcases the many shades of her vocal talent on songs written by gifted songwriters such as V. Michael McKay and the late O’Landa Draper.  She hired Sanchez Harley as a producer, and she stayed fairly true to one style of gospel (in her case, traditional) instead of wandering around in an effort to please everyone. Treva demonstrates vocal versatility on I Am Praise.  The opening cut, “There’s a Blessing,” is a new song ...

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JGM Pick of the Week: March 21, 2016

“Step Out on Water” Johnny B. Williams From the CD Songs for the World to Sing http://www.cdbaby.com/cd/johnnybwilliams22 “Step Out on Water” was one of JGM’s picks when we reviewed Johnny B. Williams’ album, Songs for the World to Sing, in April 2014. So rather than reinvent the wheel, here is what we wrote about the song nearly two years ago: “While Williams is comfortable in all gospel genres, he dazzles in the traditional arena. Perhaps neo-traditional would be a more accurate description, as the Swan Silvertones’ influenced “Step Out on Water” is fixed in the quartet style–Williams’s voice is multi-tracked ...

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“He’ll Understand” – Joyce Barrett

“He’ll Understand” Joyce Barrett Sharper Brothers (2016) www.sharpradiogospelsuperfest.com Joyce Barrett of Houston, Texas, does some fine old-school singing on “He’ll Understand,” which on the CD single is credited to other writers, but presumably for the arrangement—the song is properly attributed to longtime National Baptist Convention music department leader Lucie Eddie Campbell, who wrote it in 1933. Backed by a pumping band and a gospel quartet (with Roy Reed as executive producer of the single, could the BGVs be labelmates the Zion Jubilees?), Barrett gives the song an uptempo, quartet style treatment. She repeats the “Oh, when I come to the end ...

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