Tag Archives: Brother Joe May

JGM Pick of the Week: November 25, 2019

“Do You Know Him” The Fantastic Bibletones From the CD Just As I Am (release date: July 22, 2019) https://www.thefantasticbibletones.com/ By Bob Marovich Former Pick of the Week recipients the Fantastic Bibletones are back with a spirited redux of Brother Joe May’s 1950 breakout hit, “Do You Know Him.” The female quartet from St. Louis takes the Mary Lou Coleman Parker original and turns it into an aisle-walker, fueled by steady drums, pounding piano, and a marvelous power-packed vamp fueled by call-and-response. Organized in 1971 and active until 1998, after which they took a break from the arduous gospel highway, ...

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Harlem Gospel Travelers – He’s On Time

Harlem Gospel Travelers He’s On Time Colemine Records (release date: October 11, 2019) www.coleminerecords.com By Bob Marovich If He’s On Time included audible pops and scratches, one would think the Harlem Gospel Travelers’ debut album was a reissue of a forty-five-year-old vinyl LP discovered while crate digging. Even its Harvey Williams-inspired cover, created by artist Matt Chinworth, hearkens back to a different generation. Instead, He’s On Time is as current as right now. It’s the product of a group of young men, ages 18 to 21, who come from throughout the New York metropolitan area to Harlem to train under ...

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Prof. Harold Boggs (and Lula Reed): Lord Give Me Strength

Prof. Harold Boggs (and Lula Reed) Lord Give Me Strength: Early Recordings 1952-1964 Gospel Friend Records (release date: September 21, 2018) www.gospelfriend.com By Bob Marovich Perhaps one reason Professor Harold Boggs is not as well remembered, or as appreciated, as his golden era contemporaries is his penchant for copying their sound. Seemingly bereft of a distinctive style of his own, Boggs, a blind singer, emulated the prevailing sound of gospel music. In other words, listening to Boggs on Per Notini’s superb compilation of the blind singer’s initial recordings is a gospel music history lesson in audio. You hear the influence of the expansive-voiced ...

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