Tag Archives: Journal of Gospel Music

JGM Pick of the Week: October 22, 2018

“Blue” Juliana Schnee (release date: October 5, 2018) Available on iTunes By Bob Marovich With her soaring tones accented by endearing yodels, twenty-two-year-old singer Juliana Schnee sounds like a young LeAnn Rimes. Her inspirational song “Blue” is made all the more effective by the understated small jazz combo and strings that accompany her winsome urging to not let life get you down.  “Blue” blends jazz and inspirational lyrics in a way that dignifies both. A self-described lover of “Jesus and Jazz,” Schnee is from Lancaster County, Pennsylvania. As a child, she taught herself to play piano and ukulele and wrote ...

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JGM Music Hour – Episode 128

              Playlist for Episode 128: I’ll make it – Alfonzo Udell & Chosen Chorale feat. Lorraine Anderson Put your trust – Apostle James Alston & Fellowship Laughter (just like medicine) – BeBe Winans feat. KS He’s never failed me yet – St. Mark Sanctuary Choir Unto the lamb – Kim Stratton He won’t leave me alone – Shunice Hill-Sullivan Changed me – Vonnie Blackshear We made it through – Dave Bass & the DBGs Holy medley – Cameron Ross Right now’s the right time for Jesus – Steve Cermele Please don’t forgive me – ...

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Prof. Harold Boggs (and Lula Reed): Lord Give Me Strength

Prof. Harold Boggs (and Lula Reed) Lord Give Me Strength: Early Recordings 1952-1964 Gospel Friend Records (release date: September 21, 2018) www.gospelfriend.com By Bob Marovich Perhaps one reason Professor Harold Boggs is not as well remembered, or as appreciated, as his golden era contemporaries is his penchant for copying their sound. Seemingly bereft of a distinctive style of his own, Boggs, a blind singer, emulated the prevailing sound of gospel music. In other words, listening to Boggs on Per Notini’s superb compilation of the blind singer’s initial recordings is a gospel music history lesson in audio. You hear the influence of the expansive-voiced ...

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JGM Pick of the Week: September 18, 2018

“Unto the Lamb” Kim Stratton Kingdom Records (release date: May 15, 2018) By Bob Marovich On “Unto the Lamb,” Chicago-based gospel songstress Kim Stratton sings “a brand new song.” Although she’s referencing salvation, in another sense, “Unto the Lamb” is itself a brand new song – her first in six years. After focusing  on growing her catering business, the powerhouse church singer tears into Julie Meyer’s “blood” composition with the dramatic vitality that listeners have come to expect from the powerhouse church singer. The radio edit concludes just as Stratton is getting fired up, so I’d recommend the full length version. Regardless, a new ...

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Jonathan Nelson Wants Listeners to be “Inspired, Encouraged, and Empowered” by New Album

By Bob Marovich In 1776, the Declaration of Independence freed American people from the oppression of the Royal Crown. In 2018, Jonathan Nelson’s seventh studio album, Declarations, is intended to free all people for salvation under the Holy Crown. The Stellar Award-winning singer and songwriter releases Declarations (Entertainment One) nationwide and through digital outlets today, Friday, September 14. “I want the album to leave listeners inspired, encouraged, and empowered,” Nelson told the Journal of Gospel Music. “If they sing these songs of themselves, they can see the results of what they say. If they say ‘I’m healed,’ they can be free ...

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JGM Pick of the Week: August 20, 2018

“Oh How I Love You” Zacardi Cortez Blacksmoke Music Worldwide (release date: March 8, 2018) By Bob Marovich “You see, a man ain’t supposed to cry,” Zacardi Cortez sings on “Oh How I Love You,” but the tears flow anyhow as he delivers lyrics that gush with gratitude to Jesus for, well, everything. And while Cortez admits to falling prey to the very human interest in material things, “at the end of the day,” nothing matters but Jesus. This mid-tempo song opens with a blithe piano and expands into a delicious mix of retro soul and urban AC. Cortez’s vocals ...

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JGM Pick of the Week: August 7, 2018

“I Owe God a Praise” Jimmy Hicks & ACOJ From the Blacksmoke Music Worldwide album Waterway (release date: August 4, 2017) By Bob Marovich What I like about Jimmy Hicks is how he can transform a church song into what sounds like a big number from a gospel musical. Hicks and his Voices of Integrity did that with 2006’s “Born Blessed” and “This Kind By Fasting and Prayer.” He has done it again with “I Owe God a Praise,” an effervescent hand-clapper featuring call-and-response with the Apostolic Church of Jesus (ACOJ) Choir and Hicks’s favorite singing duet partner, Diana Hicks. The ...

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JGM Music Hour – Episode 126

              Playlist for Episode 126: My heart is fixed – Brenda Jefferson feat. Dorinda Clark Cole You ought to testify – Keith “Wonderboy” Johnson The pain is going to end – Bonita Burney Simmons Are you ready – Jason Champion Chain breaker – Angela “Missy” Billups Enter His gates – Patrick Lundy & the Ministers of Music You still love me – Koryn Hawthorne On my way to Calvary – Ananais Montague Holy Ghost – Frozene Lott Hayes Words of Jesus: Love your enemies – Steven Chesne Another mother’s son – Phil Cook Even ...

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JGM Music Hour – Episode 125

              Playlist for Episode 125: I’m determined – Bemeche’ God has kept me – Wardlaw Brothers Now I’m on my way – Brooklyn Tabernacle Choir If God – Casey J Forever – Jason Nelson Prayer changes things – Adriann Lewis-Freeman Keys to the kingdom – David Whitfield & Whitfield Production Your presence – Bruce Parham Beautiful name – Chrisafari Mercy’s tree – Firma Collective feat. Lexi Jones Can’t wait to see Mama – Prez Blackmon That mountain – Charles Jenkins I’m depending on you – Zion Messengers

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For Patrick Lundy, It’s About the “Whole Gamut of Sacred Music”

By Bob Marovich Patrick Lundy and the Ministers of Music mix traditional and classically-infused contemporary gospel into their repertory. While their current single, the unapologetically traditional “Enter His Gates,” continues to impact radio, the group has also recorded an entire album of spirituals and hymns.  This reflects Patrick Lundy’s admiration for, and experience with, the full palette of sacred music. Lundy visited with the Journal of Gospel Music while in Chicago for the annual Chorus America conference. It was almost a foregone conclusion that Patrick Lundy would go into music as a profession. First Missionary Baptist, the church he attended as a child, was blessed with ...

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