Tag Archives: Praise and Worship

Myron Butler & Levi – On Purpose

Myron Butler & Levi On Purpose Motown Gospel (release date: June 10, 2016) www.motowngospel.com By Bob Marovich Like Kurt Carr, Myron Butler has carved out a niche for himself in the popular Praise & Worship category of black sacred music. His albums offer praise teams a bounty of songs to digest just as the Thompson Community Singers, a group whose work Butler absorbed as intently as that of Thomas Whitfield, offered directors new gems to teach their church choirs. It’s no surprise, then, that energetic P&W cuts predominate on Butler’s new album, On Purpose, which debuted atop the Billboard gospel ...

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Micah Stampley – To the King. . .Vertical Worship Live

Micah Stampley To the King. . .Vertical Worship Live Interface Entertainment (May 20, 2016) www.micahstampley.org By Bob Marovich When Micah Stampley addresses the “generation rising” on his new CD, To the King. . .Vertical Worship Live, he certainly knows his audience. The musical worship service, recorded live at Oasis Family Life Church in Dallas, Georgia, last year, will especially resonate with the young generation of churchgoers who thrive on the atmospheric flow of Praise & Worship music. The gospel crooner provides plenty of vertical P&W on this, his first live recording. While many of the songs are new, others, such as ...

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For William McDowell, “Sounds of Revival” Goes Beyond Worship

By Bob Marovich Not two weeks after its January 22 release, celebrated worship leader William McDowell’s fourth album, Sounds of Revival: Live (Delivery Room Music / eOne Music), entered Billboard Magazine’s Top Gospel Album charts.  It knocked Kirk Franklin’s Losing My Religion from the number one position. Recorded live in Baton Rouge, Louisiana, before an audience of 3,000 people, Sounds of Revival is McDowell’s third number one album. It is also the latest chapter of the Grammy-nominated singer-songwriter-worship leader’s journey, one that began in Cincinnati, Ohio, and soared when his 2009 “I Give Myself Away” garnered more than one million views on YouTube. ...

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“Overflow” – Bryan Andrew Wilson feat. Roderick Giles & Grace

“Overflow” Bryan Andrew Wilson Feat. Roderick Giles & Grace Bryan’s Songs Records (release date: January 2016) Bryan Andrew Wilson’s forthcoming single “Overflow” falls squarely within the current gospel appetite for brisk, mid-tempo P&W songs with easy to learn melodies and lyrics. As such, it seems ideal for praise team use. Wilson, along with Roderick Giles & Grace as background vocalists, and the musicians, build incrementally from zero to sixty in dynamics over the course of the four-plus minute selection. Giles, incidentally, formed the Southern Baptist Church (SBC) Chorale, which was a regional champ of Verizon’s “How Sweet the Sound” competition ...

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“Thirsty for the Rain” – Keith Williams

“Thirsty for the Rain” Keith Williams EPM Music Group / eOne Entertainment (2015) www.epmmusicgroup.com “Thirsty for the Rain,” gospel crooner Keith Williams’ latest single, is a conventional but energetic and earnest entreaty for God to send down the rain, meaning blessings. It’s written by a committee, but an experienced one: Williams, Earnest Pugh, and Aaron Carter. While this worship anthem doesn’t take nearly as much advantage of Williams’ warm vocals as did his 2013 album Tone for Worship–there’s more call and response with the BGVs than straight-up lead work here–it will likely do well in the market because it bears lyric ...

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Tiff Joy – Tiff Joy

Tiff Joy (self titled) Walkway Music Group/VMan Entertainment/Tyscot Records (release date: September 25, 2015) www.tyscot.com By Bob Marovich Perhaps I’m just a softie for slow, poignant gospel songs, or it’s that Chicago’s Tiff Joy (Tiffany Joy McGhee), on her self-titled debut album, is at her very best when she sings such selections. Or both. I’m thinking both. At several points on Tiff Joy’s live album, the singer breaks from the tried-and-true high energy praise team warm-ups that pepper so many P&W albums these days to deliver heartfelt messages with heartrending music. On “The Promise,” for instance, Tiff reminds the listeners ...

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Bridgett Kern – No One Greater

Bridgett Kern No One Greater Dream Label Group (release date: August 7, 2015) www.bridgettkern.com By Bob Marovich Although not advertised explicitly as such, Bridgett Kern’s new Praise & Worship project, No One Greater, is a live recording. That’s a good thing, as P&W comes off best live. After all, the style was created to enliven the live worship experience. I would argue that almost all gospel music sounds better live, but that’s a discussion for another time. Back to No One Greater. The first portion of Kern’s CD features the energetic and effusive P&W singing and hard-hitting musicianship heard in ...

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Kevin Riley – Restored for Worship

Kevin Riley Restored for Worship Kevin Riley Music (release date: July 21, 2015) www.cdbaby.com/cd/kevinriley7 By Bob Marovich What strikes you upon hearing Kevin Riley’s new album, Restored for Worship, is how well the project would work as an Easter cantata. Literally beginning at the beginning, with dramatically-spoken snippets from early Genesis during the first of the Little Rock, Arkansas’ singer-songwriter’s several interludes, Restored for Worship follows the march of time from creation and the dawn of humanity to Jesus’s passion, resurrection, ascension, and the first Pentecost. Riley uses this construct to show how the “plan of redemption” that began before creation ...

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Tasha Cobbs – One Place Live

Tasha Cobbs One Place Live Motown Gospel (release date: August 21, 2015) www.motowngospel.com By Bob Marovich Recorded before nearly 3,000 worshippers at Redemption Church in Greenville, South Carolina, singer-songwriter Tasha Cobbs’ One Place Live is a solid follow-up to her number one CD, Grace. It actually surpasses the multi-award-winning debut album, as the worship songstress sounds more vocally confident than ever before. On One Place Live, produced by label-mate VaShawn Mitchell, Cobbs doesn’t as much lead as direct or orchestrate the flow of praise and worship. Song transitions are effortless and create a worship experience that is nigh perfect in its ...

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foreverJONES – Prayer Tools, Vol. 1

foreverJONES Prayer Tools, Vol. 1 (released November 11, 2014) www.prayerproject.foreverjones.com By Bob Marovich With its latest release, Prayer Tools, Vol. 1, foreverJONES may well have heralded a new subgenre of black sacred music: ambient inspirational. It is the Shreveport, Louisiana-based family band’s first project after departing EMI Gospel and first on its own label. The more than 150 minute-long project, only available digitally at the moment, contains seven individual song compositions and a bonus track, with additional instrumental versions of four selections. Experimental in sound and structure, Prayer Tools, Vol. 1 is designed to help worshipers enter into an ongoing dialogue ...

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