Tag Archives: Texas

“Step Back, Watch God Move” – Minister R.L. Taylor and the Sons of the Father

“Step Back, Watch God Move” Minister R. L. Taylor and the Sons of the Father Independent (release date: November 1, 2015) www.cdbaby.com/Artist/MinisterRLTaylorandtheSonsofth A song that just aches for quartet choreography. To a loping backbeat, “Step Back, Watch God Move” teaches that when problems get too tough for you to handle, just let God take over. The chorus hook, “step back, just wait, and watch God move,” offers an ideal pantomime opportunity for the Sons of the Father to do in live performance, especially at the end of the song, when the group and Minister Taylor engage in some slightly syncopated ...

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Sharon Moore – Jesus Wants to Bless You

Sharon Moore Jesus Wants to Bless You Heavenly Calm Records By Bob Marovich Those who attended the 2016 Rhythm of Gospel Awards weekend in Memphis, Tennessee, heard the singer and songwriter Sharon Moore perform “Jesus Wants to Bless You,” the title track of her latest album, in a number of showcases. With a beat and melody evocative of A Taste of Honey’s 1978 disco hit, “Boogie Oogie Oogie,” Moore sings that Jesus doesn’t just want to bless you, he wants to “press down, shake it together” your blessings.  That’s the songs hook.  So many blessings you won’t have room to ...

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“When I Stopped Playing with Jesus” – LaTonya Earl

“When I Stopped Playing with Jesus” LaTonya Earl (private release, 2014) To purchase a copy, email Latonyaearl1@gmail.com Houston gospel singer LaTonya Earl gets transparent on “When I Stopped Playing with Jesus.” After “playing with,” or not fully accepting, the Lord, Earl “plants her feet” in church and sees the light. She cleverly interpolates the gospel hymns “I Saw the Light” and “Jesus, the Light of the World” to reaffirm her conversion message. The handclapping rhythm and whirling organ give the song a traditional feel, and a call-and-response with the background vocalists is like a quartet vamp, but an R&B bounce throughout ...

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Monae Miller – #ForeverAlive (EP)

Monae Miller #ForeverAlive (EP) Monae Miller Music www.monaemillermusic.com By Bob Marovich The writer Anton Chekhov admonished his fellow writers: “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.” This quote hung in the air while I was reviewing Kansas-born and Texas-based singer-songwriter Monae Miller’s #ForeverAlive EP. The photo on the front and back covers, as well as photos within the CD booklet, show her holding a guitar. So I anticipated that ...

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JGM Pick of the Week: January 16, 2017

“All God’s Children Ain’t Free” Level One Sound presents the Jones Family Singers www.jonesfamilysingers.com It seemed appropriate, on this remembrance day for the Reverend Dr. Martin Luther King Jr., that JGM should spotlight the Jones Family Singers’ newly-released cover of Johnny Cash’s “All God’s Children Ain’t Free.” Bishop Fred Jones Sr. channels Cash’s folksy rumination while daughter Alexis Jones-Giles accentuates the most important lines of the lyric with the vocal force of a human trumpet. The echo-y harmonies and jangly tambourine, when combined with the steady and minimal country beat, evoke Cash’s original from his 1965 Orange Blossom Special (Columbia Records). Recorded at Level One ...

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Pastor Van D. Roberson Passes Away

Zadella “Mama” Curtis informed JGM that Pastor Van D. Roberson has passed away. In addition to pastoring the Shiloh Baptist Church in Bryan, Texas, Roberson was a gospel singer in the traditional-quartet style, honed, no doubt, from his years as a member of the Roberson Brothers, which started out prior to 1961 as the Israelite Voices of Peace.  He was also part of the Pastors Chorus of Bryan/College Station, Texas; they recorded the single, “Good to Me,” in 2012. Roberson also sang with the Mighty Clouds of Joy’s Joe Ligon on the 2012 Mother’s Day single, “Momma Remembered.” Below is ...

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Lisa Barron & Joyful Sounds – Show Me the Way

Lisa Barron & Joyful Sounds Show Me the Way Faith Productions (2015) www.cdbaby.com/Artist/LisaBarronJoyfulSounds By Bob Marovich Although at first blush it may seem as if Lisa Barron & Joyful Sounds is a female quartet, the EP Show Me the Way finds the group working mainly in the piano/organ-led gospel group tradition, more specifically the leader-group style that has been popular for the past 25 years or so. Show Me the Way is the debut release from Barron & Joyful Sounds, a Texas group organized in 2013. The Longview, Texas-born Barron has been singing in church since around age nine, especially ...

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Rev. Roy Reed & the Zion Jubilees – Jesus Is All I Need (Live)

Rev. Roy Reed & the Zion Jubilees Jesus Is All I Need Sharp Records (2016) www.sharprecordsusa.com By Bob Marovich The Zion Jubilees remain the flagship artist for Sharp Records. The quartet’s new CD, Jesus Is All I Need, recorded live in the group’s hometown of Bryan, Texas, proves there is still power in the traditional gospel quartet sound. Since its founding as the Reed Brothers in the late 1950s, the Zion Jubilees has dished out wooden church wisdom steeped in sweet harmonies and hard gospel lead singing. Making records for Stan Lewis’s Shreveport-based Jewel Records in the 1970s, the group ...

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Treva – I Am Praise

Treva I Am Praise (EP) chezmusique (2014) www.TrevaJones.com By Bob Marovich Treva Jones did it the right way. The Houston, Texas, vocalist released a five-track EP that showcases the many shades of her vocal talent on songs written by gifted songwriters such as V. Michael McKay and the late O’Landa Draper.  She hired Sanchez Harley as a producer, and she stayed fairly true to one style of gospel (in her case, traditional) instead of wandering around in an effort to please everyone. Treva demonstrates vocal versatility on I Am Praise.  The opening cut, “There’s a Blessing,” is a new song ...

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“He’ll Understand” – Joyce Barrett

“He’ll Understand” Joyce Barrett Sharper Brothers (2016) www.sharpradiogospelsuperfest.com Joyce Barrett of Houston, Texas, does some fine old-school singing on “He’ll Understand,” which on the CD single is credited to other writers, but presumably for the arrangement—the song is properly attributed to longtime National Baptist Convention music department leader Lucie Eddie Campbell, who wrote it in 1933. Backed by a pumping band and a gospel quartet (with Roy Reed as executive producer of the single, could the BGVs be labelmates the Zion Jubilees?), Barrett gives the song an uptempo, quartet style treatment. She repeats the “Oh, when I come to the end ...

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