Tag Archives: tompkins square

Michael Corcoran on Washington Phillips and the “Manzarene”

Historian and journalist Michael Corcoran uncovered a myriad of hitherto unknown facts about Texas pianist and Church of God in Christ member Arizona Dranes.  Those findings were revealed in He Is My Story (Tompkins Square), a resplendent extended essay that accompanied a reissue of Dranes’s 1920s-era recorded material.  Dranes is often cited as gospel music’s first recording artist. By Jove, Michael Corcoran’s done it again, this time for another largely forgotten but no less important Texas musician, Columbia recording artist Washington Phillips. Here is a link to Corcoran’s article from Arts + Labor. http://www.artslabormagazine.com/juneteenth-wash-phillips-son-of-slaves-makes-music-for-the-ages

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When I Reach That Heavenly Shore: Unearthly Black Gospel 1926-1936

Various Artists When I Reach That Heavenly Shore: Unearthly Black Gospel 1926-1936 Tompkins Square (released December 9, 2014) www.tompkinssquare.com By Bob Marovich Tompkins Square continues its stretch of quality black sacred music reissues with the three-CD When I Reach That Heavenly Shore: Unearthly Black Gospel 1926-1936. Using 1926 as a starting point is not a random decision. That year saw the release of debut recordings by two seminal artists: Church of God in Christ powerhouse Arizona Dranes (who has already received a handsome Tompkins Square retrospective) and Baptist minister Rev. J. M. Gates of Atlanta, who became a bestselling recording ...

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Bessie Jones with the Georgia Sea Island Singers and Others: Get In Union

Bessie Jones with the Georgia Sea Island Singers and Others Get In Union: Recordings by Alan Lomax 1959-1966 Tompkins Square (released, October 28, 2014) www.tompkinssquare.com By Bob Marovich Students of ethnomusicology and folk music enthusiasts fortunate enough to hear the two or three LPs of Bessie Jones and the Georgia Sea Island Singers can tell you the thrill of hearing the group’s music for the first time. The singers’ dedication to preserving a music with roots that run all the way back to West Africa has enabled generations to hear something of the foundation of spirituals, the blues, jazz, gospel, and ...

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