Ashmont Hill
The Maze
Axiom Records

By Bob Marovich for The Black Gospel Blog.
Straight out of Boston’s Jubilee Christian Church, the family ensemble known as Ashmont Hill describes itself as a “diverse group that knows no musical boundaries.”  This mission is certainly made manifest on the group’s third album, The Maze, released on August 20. 
Like early Israel & New Breed, Ashmont Hill is a peg that doesn’t fit squarely in CCM, gospel, or P&W.  Instead, the foursome mixes each of these musical colors onto an atmospheric acoustic canvas.  The Mazeis therefore a difficult to define musical mélange, but the end result is beautifully, skillfully, and earnestly rendered songs about praise, worship, and eternal gratitude.
While the group’s harmonies are crisp and airy, the lead vocals of sisters Deborah Bullock and April Joy Thompson steal the show.  Deborah’s lead on “Fill This Temple” is lullaby-like, her breathy purr evocative of a young Maire Brennan of Clannad.  On a rearrangement of “Amazing Grace,” April’s soothing voice embraces the listener like a warm hug after a difficult day.  Either sister could easily become a solo artist.

For those who like inspirational music with a kick, “Heavens Sound” is throbbing and insistent, a la Coldplay, and “I Will Give You Praise,” featuring Brian Bullock, keeps the temperature high.  “Ruined” features an expansive sonic assist by vocalist Micah Stampley, who is cut from basically the same musical mold as Ashmont Hill
The Maze is an impressive release expertly produced by Zenzo Matoga.  On it, Ashmont Hill provides an aural glimpse of the potential future direction of Christian music: multicultural, musically diverse, unshackled by label, and as limitless as the horizon.
Four of Five Stars
Picks: “Fill This Temple,” “Ruined.”

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Written by : Bob Marovich

Bob Marovich is a gospel music historian, author, and radio host. Founder of Journal of Gospel Music blog (formally The Black Gospel Blog) and producer of the Gospel Memories Radio Show.