Research

The Origins of “Come and Go With Me to My Father’s House”

Chris Fenner, Digital Archivist in the Archives & Special Collections department of the Southern Baptist Theological Seminary in Louisville, Kentucky, explores the origins of some of the most beloved hymns of the church. His latest article chronicles “Come and Go With Me to My Father’s House.” It’s a fascinating study of the song’s journey over many decades from creation to church chestnut. Read the article here: Come and Go With Me

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Hymn History: “The Blood Will Never Lose its Power”

Chris Fenner, editor of Hymnology Archive, does a deep dive on “The Blood Will Never Lose Its Power,” exploring the 1912 hymn as well as Andrae’ Crouch’s breakout composition and whether there are connections between the two songs. Read the article here at: https://www.hymnologyarchive.com/the-blood-will-never-lose-its-power

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Charles Fold Singers of Cincinnati Celebrate 50 Years

By Robert M. Marovich On Saturday, November 13, 2021, the Grammy Award-winning Charles Fold Singers of Cincinnati celebrated their 50th Anniversary with a program at Lincoln Heights Missionary Baptist Church, where Dr. Fold had been minister of music. Maryanne Zeleznik on Cincinnati Public Radio’s “Cincinnati Edition” conducted an interview with Charles Fold’s sister Christine Brown, one of only two living founding members of the group; Lincoln Heights Missionary Baptist Church Director of Music and Gospel Music Workshop of America National Board Member Ron Logan, the other founding member of the group; Zion Global Ministries Pastor Freddie Piphus; and Cincinnati Pops ...

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The History & Origins of Evangelical Pianism

By Nicole McCraySpecial Feature – Journal of Gospel Music www.nicolemccray.com Most people associate the piano with worship music, and it seems to have been that way for many years. However, prior to piano, the organ was the primary instrument in a house of worship. In looking at the history and origins of the piano, you can trace the path of how this beautiful and complex instrument made its way into the secular realm. THE BEGINNINGStandard church practice had been to use an organ for accompaniment. But because the organ’s sound was so powerful, hymnists’ voices did not carry as well ...

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The Robert Broussard Story

Partly based on telephone interviews with Robert Broussard in 2005 By Opal Louis Nations Robert Broussard is sadly one of the unheralded baritone shout leads from gospel quartet’s Golden Age. He led the jubilee-rooted Ever Ready Gospel Singers of Shreveport in 1953-1954, then switched to Nashville’s famous Skylarks Quartet near the close of 1954. He denies ever recording with the Skylarks after 1957 despite the fact that Hayes & Laughton in their Gospel Records 1943-1969 discography have him down as a member in the group on the November 15th, 1962, August 4th, 1965, and January 1967 Nashboro studio dates, and ...

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Lovett Hines and the UHOP Shout Band Tradition

By Robert M. Marovich The January 16, 2021, episode of Gospel Memories with Prof. Lovett Hines (pictured, left) of Philadelphia’s Clef Club explaining the United House of Prayer Shout Band Tradition was so informative that I want to share the episode here. Listen here: The UHOP Shout Band Tradition

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How Gospel Music Influenced Mainstream Hits

By Cecille Richman, Guest Contributor While many might say that gospel music is incredibly niche, the opposite is actually true. Formed out of a mixture of African American folk music and religious hymns, it’s a soulful genre that has inspired countless others. Genres now considered foundational to American popular music, including soul, blues, and R&B, can all trace their history back to gospel. The recent launch of Legacy Music Group is proof of gospel music’s incredible influence and popularity. Hundreds of popular artists have made use of gospel music or gospel musical influences in their discographies. In a ZenBusiness guide ...

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JGM Pick of the Week: April 6, 2020

“In His Hands” Uncle Chucc & the Zion Messengers Uncle Chucc Music (release date: April 1, 2020) By Bob Marovich When Tyler Perry asked individuals to sing “He’s Got the Whole World in His Hands” in a show of global solidarity during the COVID-19 pandemic, it seemed to come out of nowhere. The spiritual, first published in 1927, entered international pop culture thirty years later when English singer Laurie London recorded it. Not to be outdone, Mahalia Jackson put out a single version. Like London’s disc, Jackson’s climbed up the pop charts. The song has been featured here and there, ...

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Who was Harvey?

The Dali-esque artist who painted nearly 200 Savoy Records album covers during the 1960s–the majority for the label’s gospel series–and signed his work “Harvey” with no surname, has been somewhat of a mystery to record collectors. On David Peterkofsky’s For Keeps podcast, Robbie Rogers shines a light on who Harvey was and what the artist’s work says about his life and times. The enigmatic artist is the basis of Rogers’ master’s thesis, which he is currently working on at Baylor University. He shares some of his findings on the fascinating podcast below.

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Check Out the Trailer for “Detroit: The Gospel Journey”

By Bob Marovich If you think the story of music in Detroit begins and ends with Motown, think again. Detroit’s gospel music legacy goes back many decades, way before Berry Gordy started Hitsville, USA.  The contributions that Detroiters have made to gospel music continue to enrich the genre today. The story of gospel music in Detroit was just waiting to be told by the right person.  That right person is Marcel West.  With great passion and diligence, West spent years mining archival photos, videos, and other rare ephemera, and interviewing the living legends who took gospel music around the world. The result is a documentary DVD called Detroit: The Gospel Journey. The ...

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