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Sir the Baptist: Everyday Music from a Sunday Knight

By Bob Marovich The sacred-secular divide in music is a uniquely modern conception, and it misses the point. In West Africa, where most enslaved Africans came from, all music was sacred and all music was secular. There was no distinction…until the music came to America during the African Diaspora and distinctions based on intent were forced upon it. This Saturday night-Sunday morning dialogue about what makes gospel gospel arises whenever a new generation of music makers blurs the applied distinctions to communicate a modern message to a contemporary community of believers and non-believers. Perhaps no artist today better represents the ...

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