“Duchess of Gospel” LaVarnga Hubbard Has Better Coming

labettercomingSMALLADBy Bob Marovich

Gospel music has had its share of fathers and mothers, kings and queens, princes, crown princes, princesses, godfathers, thunderbolts, wonder boys, and boy wonders, but as far as I know, only one duchess: Lady LaVarnga Hubbard.

When Hubbard opens her mouth to sing, she channels the best of gospel’s traditional church-raised no-nonsense female shouters.

Born in Chicago, LaVarnga (pron. luh-VARN-juh) Hubbard was nine years old when she began singing for Christian Doctrine Baptist Church, under the pastorate of Rev. Herman Billingsley. She joined Chicago Mass Choir when it was still called James C. Chambers and the Ecclesiastes Community Choir. Her lead vocal on “Call Him Up” helped make the song so popular, it remains in Chicago Mass’s repertory to this day.

“That’s when I realized I wanted to be a professional gospel singer,” Hubbard told the Journal of Gospel Music. She joined Ricky Dillard and New G in 1995 and led the group’s recordings of “Let The Redeemed Say So” and “Lift Up Your Heads.”

Working with Dillard provided Hubbard another aha moment. “I had sowed in all these ministries and it was time to do it myself.” She was ready to launch her solo gospel singing career.

Hubbard self-released her first project, Nobody Else Compares to You, in 2006. The album, produced by VaShawn Mitchell and recorded live at Sweet Holy Spirit Church on Chicago’s Southeast Side, earned praise from the Journal of Gospel Music (then The Black Gospel Blog) as one of the best gospel albums of that year. Her sophomore project, Royalty (2010), was produced by fellow Chicago Mass Choir alum Percy Gray. Also recorded live, Royalty demonstrated once again Hubbard’s capacity as a gospel squaller.

Hubbard counts among her influences fellow traditional gospel singers Leanne Faine, Albertina Walker, Dorothy Norwood, Shirley Caesar, Inez Andrews, and Dianne Williams (Cosmopolitan Church of Prayer Warriors). She was Williams’ understudy in the 2006 musical theater version of the gospel hit “Jesus Can Work It Out.” “I patterned myself after each of them,” Hubbard said, “and I am grateful to have sung with all of them.”

A church rousing single of hope and encouragement, “I Got Better Coming,” is Hubbard’s latest release. It is her first product for Bishop Larry Trotter‘s Utopia Music Group label. Utopia plans to release her third full-length project this summer.

Meanwhile, on August 22, 2015, Hubbard will reprise her Daughters of Zion music showcase, where she gives new and emerging female gospel artists a public platform. Grammy Award nominee Anita Wilson was on her 2011 program, just before her career took off. “We’re supposed to pour into other ministries, encourage the new singers,” Hubbard explains. Her daughter, stepping into her mother’s footprints, plans to be part of the 2015 program.

Today’s gospel music charts are dominated by praise and worship and urban AC inspired songs, but LaVarnga Hubbard believes “traditional [gospel] will never disappear. I love praise and worship, don’t get me wrong. Remember, we were doing praise and worship all along—think of ‘I Need Thee Every Hour’—we just didn’t call it that. But when things aren’t going right, the traditional songs come out. They give you hope.”

About Bob Marovich

Bob Marovich is a gospel music historian, author, and radio host. Founder of Journal of Gospel Music blog (formally The Black Gospel Blog) and producer of the Gospel Memories Radio Show.

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