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Gregory King – Jesus Paid It All

By |April 21st, 2022|Categories: CDs, Contemporary Gospel, Reviews|Tags: , , , , , , , , , |

Gregory King Jesus Paid It All The LAB Works Studio / Nadjaron Productions (2012) By Robert M. Marovich Although Nobody Can Do Me Like Jesus,” “Payday is Coming,” and the title track of Gregory King’s 2012 album may share titles with popular hymns and gospels, that’s where the similarity ends. What you hear are newly-composed songs by King cloaked in an ‘80s funk sensibility. Thumping bass, Morris Day-era polyrhythms, pop melodies, slick call-and-response, and bits of electronica highlight this throwback album. Even King’s measured vocals, eschewing melisma for dance floor cool, evoke ‘80s R&B. Among the several featured soloists on [...]

Bishop Leonard Scott – Jesus Love Legacy

By |December 15th, 2018|

Bishop Leonard ScottJesus Love LegacyTyscot Records (release date: August 31, 2018)www.tyscot.com By Bob Marovich At times, gospel artists start their own independent record company to promote their talent. At other times, it’s the label owner who becomes the talent. The latter applies to Professor James Roberson of JDI Records and to [...]

Recent Posts

Gregory King – Jesus Paid It All

By |April 21st, 2022|Categories: CDs, Contemporary Gospel, Reviews|Tags: , , , , , , , , , |

Gregory King Jesus Paid It All The LAB Works Studio / Nadjaron Productions (2012) By Robert M. Marovich Although Nobody Can Do Me Like Jesus,” “Payday is Coming,” and the title track of Gregory King’s 2012 album may share titles with popular hymns and gospels, that’s where the similarity ends. What you hear are newly-composed songs by King cloaked in an ‘80s funk sensibility. Thumping bass, Morris Day-era polyrhythms, pop melodies, slick call-and-response, and bits of electronica highlight this throwback album. Even King’s measured vocals, eschewing melisma for dance floor cool, evoke ‘80s R&B. Among the several featured soloists on [...]

Bishop Leonard Scott – Jesus Love Legacy

By |December 15th, 2018|

Bishop Leonard ScottJesus Love LegacyTyscot Records (release date: August 31, 2018)www.tyscot.com By Bob Marovich At times, gospel artists start their own independent record company to promote their talent. At other times, it’s the label owner who becomes the talent. The latter applies to Professor James Roberson of JDI Records and to [...]

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  • Published On: March 18th, 2010

    “Press Towards the Prize/Last Chance”Preachers Music GroupFrom the Lions Whelp Records CD PMG Live(available on iTunes and amazon.com)On their single, “Press Towards the Prize/Last Chance,” the Preachers Music Group featuring [...]

  • Published On: March 17th, 2010

    Lady LaVarnga HubbardRoyaltyLA Sing Management 2010www.ladylasing.comChicago has never had a shortage of flammable female gospel singers. Those still singing include Albertina Walker, Inez Andrews, Delores Washington, Leanne Faine, Lemmie Battles, [...]

  • Published On: March 16th, 2010

    “I Want to Say Thank You”Lisa Page BrooksFrom the Habakkuk Music CD Strongwww.habakkukmusic.com“I Want to Say Thank You,” by Lisa Page Brooks, is a plaintive but comforting ballad that plays [...]

  • Published On: March 16th, 2010

    Angelia RobinsonLessons in LoveThe TFD Music 2010www.angeliarobinson.comGrowing up in the Maryland suburbs of the Nation’s Capitol, singer-songwriter Angelia Robinson soaked up all types of music. She has wrung out all [...]

  • Published On: March 15th, 2010

    “Mercy”LaShell GriffinDetroit’s LaShell Griffin is well-known for wringing every ounce of emotion from an inspirational ballad. On her latest single, “Mercy,” she shows that she can shout just as effectively. [...]

  • Published On: March 13th, 2010

    Half Mile Home Change My Lyfe God Made Millionairze Ent./IMG Recordings/ Bungalo Records/Universal Music Group www.HalfMileHome.com On “Testimony,” Akron, Ohio’s Half Mile Home sings, “Can’t nobody tell my testimony for [...]

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In A City Called Heaven, gospel announcer and music historian Robert Marovich shines a light on the humble origins of a majestic genre and its indispensable bond to the city where it found its voice: Chicago.

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