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“Some Day We’ll Meet” – Bill Moss Jr. & the B. M. & E. State Choir ft. Carolyn Jacobs

By |March 14th, 2022|Categories: Reviews, Singles, Traditional Gospel|Tags: , , , , , , , , , , |

“Some Day We’ll Meet” Bill Moss Jr. & the B.M. & E. State Choir ft. Carolyn Jacobs From the Salathiel Records album His Majesty (album release: 2020) http://www.salathielrecords.com/ By Robert M. Marovich The B. M. & E. State Choir punctuates “Some Day We’ll Meet,” a gleeful evocation of the great meeting in the hereafter, with “hallelujahs” and “forever and evers” from the “Hallelujah Chorus” of Handel’s Messiah. Carolyn Jacobs sings with the passionate spirit of a quartet lead over the B. M. & E. Choir’s effusive harmonies on this up-tempo song written by Bill Moss Sr. in the 1970s. The [...]

Prof. Harold Boggs (and Lula Reed): Lord Give Me Strength

By |September 25th, 2018|

Prof. Harold Boggs (and Lula Reed) Lord Give Me Strength: Early Recordings 1952-1964 Gospel Friend Records (release date: September 21, 2018) www.gospelfriend.com By Bob Marovich Perhaps one reason Professor Harold Boggs is not as well remembered, or as appreciated, as his golden era contemporaries is his penchant for copying their sound. [...]

Recent Posts

“Some Day We’ll Meet” – Bill Moss Jr. & the B. M. & E. State Choir ft. Carolyn Jacobs

By |March 14th, 2022|Categories: Reviews, Singles, Traditional Gospel|Tags: , , , , , , , , , , |

“Some Day We’ll Meet” Bill Moss Jr. & the B.M. & E. State Choir ft. Carolyn Jacobs From the Salathiel Records album His Majesty (album release: 2020) http://www.salathielrecords.com/ By Robert M. Marovich The B. M. & E. State Choir punctuates “Some Day We’ll Meet,” a gleeful evocation of the great meeting in the hereafter, with “hallelujahs” and “forever and evers” from the “Hallelujah Chorus” of Handel’s Messiah. Carolyn Jacobs sings with the passionate spirit of a quartet lead over the B. M. & E. Choir’s effusive harmonies on this up-tempo song written by Bill Moss Sr. in the 1970s. The [...]

Prof. Harold Boggs (and Lula Reed): Lord Give Me Strength

By |September 25th, 2018|

Prof. Harold Boggs (and Lula Reed) Lord Give Me Strength: Early Recordings 1952-1964 Gospel Friend Records (release date: September 21, 2018) www.gospelfriend.com By Bob Marovich Perhaps one reason Professor Harold Boggs is not as well remembered, or as appreciated, as his golden era contemporaries is his penchant for copying their sound. [...]

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  • Published On: November 18th, 2009

    The Clark Sisters Family ChristmasKarew Records/EMI Gospel 2009www.emigospel.comAlthough The Clark Sisters Family Christmas CD rightfully showcases the four fine ladies on the cover, the Moss Brothers steal the show.Don't get [...]

  • Published On: November 17th, 2009

    “Name Sake” (Live Version)Denise ClarkFrom the CD Denise Clark "Live" Overwhelmedwww.deniseclarksings.comTo the general public, the paradigm of gospel music is a fully-robed choir in joyous rapture, singing full-voiced at quick [...]

  • Published On: November 16th, 2009

    “I Choose to Worship”Wess MorganBowtie World Music 2009www.wessmorgan.com“I Choose to Worship” is a lovely, flowing praise and worship ballad, led by Wess Morgan’s husky, soulful vocals. It encourages those who [...]

  • Published On: November 15th, 2009

    “Stand Still”Al Mac WillFrom the Thank You Entertainment album Stand Still (2009)www.urbancountrygospel.comWell, whaddya know: gospel meets country! In an era when musical genres and sub-genres, and collaborations between disparate styles, [...]

  • Published On: November 15th, 2009

    “Remember Me”Greg WalkerFrom his forthcoming gospel album (estimated release date: Spring 2010)www.gregwalker.comAfter hearing Greg Walker sing “Remember Me,” you’ll swear you’ve heard that voice before. Chances are you have. Walker [...]

  • Published On: November 14th, 2009

    Rev. Joe Williams called TBGB this morning to report that Johnny Fields, one of the founding members of the Five Blind Boys of Alabama, passed away in Henderson, NC.Here is [...]

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In A City Called Heaven, gospel announcer and music historian Robert Marovich shines a light on the humble origins of a majestic genre and its indispensable bond to the city where it found its voice: Chicago.

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