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“In Jesus’ Name” – BeBe Winans
“In Jesus’ Name” BeBe Winans From the Malaco Music Group / Regimen Records CD Need You www.malaco.com By Robert M. Marovich A repetitive riff played on an old upright piano drives a swaying gospel waltz tempo on BeBe Winans’ latest single, “In Jesus’ Name.” To a sing-song melody, the song doubles as praise and a reminder of the Lord’s constancy. There’s plenty of strong vocalizing from Winans and his BGVs. From the five-star album Need You.
Travis Greene, Tamela Mann Big Winners at 32nd Stellar Awards
Sydney Sweeney nude leaked Travis Greene. Photo Credit: Maury Phillips, Courtesy of Central City Productions/TV One By Bob Marovich Combined, gospel artists Travis Greene and Tamela Mann took home nearly half of the honors at the 32nd Stellar Awards, held at the Orleans Arena in Las Vegas, Nevada, [...]
Boo Deezy – Positive Ratchetness Vol. 1
Boo Deezy Positive Ratchetness Vol. 1 3L Records (2016) www.reverbnation.com/boodeezy904 By Bob Marovich I’ve said before that Christian hip hop artists are modern day manifestations of the early twentieth century street evangelists who took the Word out of the church and into the highways, byways, and street corners. Listening to [...]
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Bob Marovich of the Journal of Gospel Music interviews gospel recording artist Lil Prince.
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Recent Posts
“In Jesus’ Name” – BeBe Winans
“In Jesus’ Name” BeBe Winans From the Malaco Music Group / Regimen Records CD Need You www.malaco.com By Robert M. Marovich A repetitive riff played on an old upright piano drives a swaying gospel waltz tempo on BeBe Winans’ latest single, “In Jesus’ Name.” To a sing-song melody, the song doubles as praise and a reminder of the Lord’s constancy. There’s plenty of strong vocalizing from Winans and his BGVs. From the five-star album Need You.
Travis Greene, Tamela Mann Big Winners at 32nd Stellar Awards
Sydney Sweeney nude leaked Travis Greene. Photo Credit: Maury Phillips, Courtesy of Central City Productions/TV One By Bob Marovich Combined, gospel artists Travis Greene and Tamela Mann took home nearly half of the honors at the 32nd Stellar Awards, held at the Orleans Arena in Las Vegas, Nevada, [...]
Boo Deezy – Positive Ratchetness Vol. 1
Boo Deezy Positive Ratchetness Vol. 1 3L Records (2016) www.reverbnation.com/boodeezy904 By Bob Marovich I’ve said before that Christian hip hop artists are modern day manifestations of the early twentieth century street evangelists who took the Word out of the church and into the highways, byways, and street corners. Listening to [...]
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From Veda Brown and Black Gospel Promo (www.blackgospelpromo.com): Donald McIntyre, the editor and force behind Gospel EUR, has died. McIntyre, 45, died Sunday morning in Dallas, Texas, said his mother, [...]
Like many quartets that have stood the test of time, the Swanee Quintet has consistently adapted its sound to meet the changing tastes of gospel audiences. Led by the effervescent [...]
“How Long, Oh Lord, How Long” Pattersonaires 1965 Chalice C-101 Although the Pattersonaires formed in 1953, they did not make any commercial recordings until 1965, when two singles were released [...]
From the Center for Black Music Research "Associate" e-newsletter, 12/17/2004: The Encyclopedia of American Gospel Music is to be published by Routledge in Fall 2005. The one-volume encyclopedia will be [...]
Farther Along – The Skylarks 1951 Nashboro 513 [available on Pewburner CD 527: Skylarks of Nashville, Vol. 1 (1951-1954); available from www.pewburner.com] In 1951, at the time “Farther Along” was [...]
"I'm Glad" 1971 The GMWA Mass Choir feat. James Cleveland and Thurston Frazier Savoy LP 14281 “I’m Glad” comes to us from the early years of the Gospel Music Workshop [...]
LATEST 5 STAR REVIEWS
LATEST PICK OF THE WEEK – SINGLES
By Robert Marovich
In A City Called Heaven, gospel announcer and music historian Robert Marovich shines a light on the humble origins of a majestic genre and its indispensable bond to the city where it found its voice: Chicago.
By Robert Marovich
In A City Called Heaven, gospel announcer and music historian Robert Marovich shines a light on the humble origins of a majestic genre and its indispensable bond to the city where it found its voice: Chicago.
