Tag Archives: jgm pick of the week

JGM Pick of the Week: November 11, 2019

“Leave It Alone” Alvin Darling From the Emtro Gospel CD Leave It Alone (release date: September 20, 2019) By Bob Marovich From singer, songwriter, pastor, and Stellar and Dove Award nominee Alvin Darling comes “Leave It Alone,” a quartet-flavored roof-raiser. The verses string together familiar church aphorisms while the chorus sums it up: “God can fix it better than you can.” An agreeable lead vocal with ample support from background vocalists and musicians evoke Darling’s zesty 2003 album, Waiting Right Here. His foundation in quartet and Pentecostal music is evident throughout the single, which is short and simple but effective.

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JGM Pick of the Week: November 4, 2019

“Saved” April Hall Enon Music Group (release date: March 27, 2019) By Bob Marovich The featured soloist on Damon Little’s 2016 Billboard-charting “I Won’t Be Defeated,” April Hall returns with her own single, “Saved.” This new take on a traditional song finds Hall singing with austerity while the musicians and background vocalists move at double time. Halfway through, she drops the austerity and begins to deliver her trademark church-wrecking shouts, growls, and whoos, learned from a lifetime of listening to gospel quartets in her hometown of Baltimore, Maryland. By the end, you can imagine her engaging in a holy dance. ...

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JGM Pick of the Week: October 21, 2019

“All In His Plan” PJ Morton feat. Le’Andria Johnson and Mary Mary Morton Inspiration/Tyscot (release date: September 20, 2019) www.tyscot.com By Bob Marovich “All In His Plan” addresses the issue we all grapple with: why do bad or hurtful things happen to us when God has the power to wipe it all away? The song’s conclusion: it’s “all in His plan.” There is a reason for everything—we just can’t see it yet. As maddening as it feels sometimes, we have to put our trust in God “because He already worked it out, in the end.” PJ Morton gives the ballad ...

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JGM Pick of the Week: October 14, 2019

“He Loves Me” Yael Hilton Light Records / eOne Music (release date: August 30, 2019) By Bob Marovich Light Records was very fortunate to sign Yael Hilton, one of the most talented female vocalists to emerge from today’s galaxy of independent gospel artists. Her newest single, “God Can,” released in September, is a singing tour de force, but it’s “He Loves Me” that has the greatest radio potential. To a brassy and infectious Motown swagger, Hilton dominates the vocal line like a seasoned soloist. She weaves blue notes and Le’Andria-like raves on this feel-good song that sounds at first blush ...

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JGM Pick of the Week: October 2, 2019

“Take Your Burdens” Chrystal Rucker From the forthcoming album Graced for This www.habakkukmusic.com By Bob Marovich Chrystal Rucker is one of the finest gospel singers today. Whether on her own or as a featured vocalist, she can turn a good gospel song into a great one. That’s what she does with “Take Your Burdens,” a conventional song of hope and encouragement written and produced by Asaph Ward. The single gets full-barrel Chrystal. She starts out by giving the song a melodic reading, then opens up her arsenal of growls, squalls, falsetto notes, leaving the listener thoroughly bedazzled by the end. ...

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JGM Pick of the Week: September 23, 2019

“I Know He’s Been Good” Linda Sanders Higher Praise Records (2019) By Bob Marovich You can take the woman out of the quartet, but you cannot take the quartet out of the woman. In the case of Linda Sanders, that’s a good thing. After many years of singing gospel quartet with a number of groups, most notably the Zion Travelers of East St. Louis, and about a year providing lead vocals for a recording group called De’Vine, Sanders of St. Louis has gone solo. Her debut single, “I Know He’s Been Good” has all the components of quartet singing. Backed ...

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JGM Pick of the Week: September 10, 2019

“Grateful” James Chappell III Independent (release date: October 5, 2018) aplazmanagementllc@gmail.com By Bob Marovich “Grateful” is a charming, smile-inducing song on its own, but add James Chappell III as lead vocalist, and it delights on two levels. In less than three minutes, Chappell channels the elastic yodels of Sam Cooke and Johnny Taylor, lofts falsetto notes like the Reverend Claude Jeter, adds a bit of Reverend Al Green southern twang, and delivers gut-wrenching growls like Joe Ligon. Backed by a quartet and with a rhythm section galloping along in mid-tempo, Chappell sounds as pleased with God’s intervention in his life ...

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JGM Pick of the Week: August 13, 2019

“Don’t Judge Me” Kierra Sheard feat. Missy Elliott Karew Entertainment / RCA Inspiration (release date: August 9, 2019) By Bob Marovich The latest gospel-R&B mashup, “Don’t Judge Me,” teams Grammy-nominated and Stellar Award-winning Kierra Sheard of Detroit’s legendary Clark-Moss dynasty with Missy Elliott, iconic hip hop artist and soon-to-be MTV Michael Jackson Video Vanguard Awardee. In a tone of humility laced with media fatigue, Sheard sings “I just ran through the fire; please don’t judge me.” Though directly in response to those who put Sheard’s every move under a microscope, the song also serves as a rejoinder to haters everywhere ...

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JGM Pick of the Week: July 16, 2019

“Praise Belongs to You” Jason Clayborn & the Atmosphere Changers Tyscot Records www.tyscot.com By Bob Marovich “Praise Belongs to You,” co-written by Grammy Award-nominated gospel songwriter Jason Clayborn, author of such hits as Hezekiah Walker’s “Better” and Ricky Dillard’s “I Survived It,” is Clayborn’s debut single as an artist for Tyscot Records. Assisted by his small choir, the Atmosphere Changers, Clayborn offers a radio-ready praise anthem aided by full-bodied production, dramatic key changes, and lead vocal assists from Isaiah Freeman and Matt Austin. The Atmosphere Changers incrementally build the song’s tension with passionate and full-throated harmonies until the only place ...

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JGM Pick of the Week: July 8, 2019

“Amazing Grace” Rachel Hawkes Independent (release date: May 1, 2019) We know the hymn, but English singer Rachel Hawkes makes it her own with a new verse, harmonica-tight harmonies, and an easy, delightful delivery. The contrast between the thumping percussion and Hawkes’ honey-smooth voice sells the song. Classically trained—she played cello for two orchestras—Rachel Hawkes has been singing and writing for more ten years. Her cello solo on Saint-Saens’ “Le Cygne” is just as disarming as her work on “Amazing Grace.” With more than six albums to her credit, she may just be one of the best singers you’ve never ...

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