“No Weapon” – Calvin Bridges
“No Weapon,” the latest single from Chicago’s indefatigable singer-songwriter-director Calvin Bridges, puts a Hawkins-meets-GMWA-Chapter-Choir touch to Isaiah 54:17.
“No Weapon,” the latest single from Chicago’s indefatigable singer-songwriter-director Calvin Bridges, puts a Hawkins-meets-GMWA-Chapter-Choir touch to Isaiah 54:17.
Opening with an audio montage of news clips about gun violence, homelessness, substance abuse and other social evils, EJ’s “We Lift You Up” is a clarion call for God to give us the strength to fight for justice.
Veteran singer CeCe Winans has the training, the talent, the experience, and the chops to put any song over. Her new single, “That’s My King,” is no exception.
“At the Center of Grace” Lillian Lilly Xpress Music Group, Inc. (release date: January 23, 2024) By Robert M. Marovich What’s particularly gratifying about Lillian Lilly’s new single “At the Center of Grace” is that it evokes in lyric and arrangement an older gospel music tradition while planting itself firmly [...]
Someone can correct me if I’m mistaken, but Deitrick Haddon’s “One Day” may be the first appearance of the highland pipes in an African American gospel song.
“Have Mercy O Grace” Armstead Ford ft. God’s Harvesters Independent (release date: October 27, 2023)
Greenville, South Carolina, singer-songwriter Jayden Williams offers a bubbly ode of gratitude to Jesus on “Thank You, Lord.”
On the charming instrumental “Walking in the Light,” father-son inspirational jazz duo Elder Randall Ogans Sr. and Dorian Ogans evoke the image of a procession of believers swaggering into the light of God’s presence.
“Blessed My Soul” Jason Singleton & Friends From the Singletone Music Group CD The LowCountry Church Experience (release date: July 16, 2023) By Robert M. Marovich In what artist and minister Jason Singleton calls a Low Country arrangement, meaning the area along South Carolina’s coast, “Blessed My Soul” evokes the [...]
Like hymns and early gospel songs. “He Knows Just How Much You Can Bear,” written in 1941 by Phyllis Hall and published by Roberta Martin, is as durable as an eighteenth-century armoire.